Travel + Design & Interiors+ People + Art & Culture + Botany + Yuzu Film | instagram @yuzu.mag CURRENT ISSUE SPRING 2025 BUY NOW HIGHLIGHTS VOL-15 SPRING SALONE 2025 RESCHIO ETEREO CASA FOSCOLO JOHN SHARP DESIGN & INTERIORS ARTICOLO a DECADE of DESIGN MASTERY DESIGN & INTERIORS A SINGLE MAN HOUSE ART & CULTURE a DYNAMIC REAWAKENING of FRENCH AVANT-GARDE DESIGN & INTERIORS DAZZLING DINING: THEATRICAL DECOR & OPULENT DESIGN DESIGN & INTERIORS ELEGANT COUNTRYSIDE SANCTUARY DESIGN & INTERIORS MEET THE FOUNDERS of ALCOVA VALENTINA CIUFFI & JOSEPH GRIMA TRAVEL Design-Filled: HIPSTERS HOTEL DESIGN & INTERIORS a SEASIDE HOME in BRITISH COLUMBIA DESIGN & INTERIORS FLØIRESTAURANTEN REBORN: Old Soul, New Vibe DESIGN & INTERIORS ORIGIN MADE CRAFTING TOMORROW from YESTERDAY DESIGN & INTERIORS REDEFINING MODERN LIVING on the EAST COAST DESIGN & INTERIORS BROOKLYN SANCTUARY: a MODERN ECLECTIC HAVEN More Content DESIGN & INTERIORS See More YUZU FILM See More TRAVEL See More WHERE YOU CAN FIND US EUROPE FRANCE: Paris UK: London SPAIN: Barcelona, Madrid, Bilbao. PORTUGAL: Lisbon, Porto. BELGIUM: Antwerp, Brussels, Gent, Zaventem. GERMANY: Berlin. TURKIYE: -Istanbul All Minoa Bookstores (Akaretler, Nişantaşı, Beyoğlu Tepebaşı, Maslak, Bağdat Caddesi, Etiler) Bey Karaköy Petra Gayrettepe -Bodrum Gibi Bodrum US CA / Los Angeles, San Diego, San Jose, Sacramento, Roseville. NY / New York, New Hartford. FL / Miami, Orlando, Jacksonville, Fort Myers, Fort Lauderdale. GA / Atlanta, AZ / Phoenix, WA / Seattle CANADA Toronto, Vancouver, Montreal. O nline Shop and Subscription YUZU SHOP INSTAGRAM @yuzu.mag

April 2025 | DESIGN & INTERIORS A R T I C O L O a DECADE of DESIGN MASTERY words Laura Cottrell portrait photos Willen Dirk Du Toit + Sharyn Cairns In 2025, Articolo Studios celebrates ten transformative years—a milestone that underscores a journey defined by evolution, innovation, and unyielding artistic vision. This April, the acclaimed Australian design studio returns to Euroluce at Salone del Mobile, unveiling three new collections that capture the essence of a decade spent perfecting the art of refined, performance-driven design. Stepping into the immersive Euroluce installation is like entering a sanctuary away from the bustling trade show. Set within a warm, travertine-clad space, visitors are greeted by curated floor-to-ceiling fixtures, textured cast glass pendants, and hand-crafted leather lounge seats that not only showcase the studio’s pioneering approach to decorative lighting but also its seamless leap into contemporary furniture design. Here, each piece is more than an object—it’s a testament to Articolo’s commitment to blending sophisticated engineering with elevated aesthetics. Articolo’s evolution is eloquently captured in the words of Founder and Creative Director Nicci Kavals: "Celebrating our tenth year gives us a sense of maturity, confidence, and conviction in who we are and where we are headed. The foundations are laid, and we are now at the starting gates, ready to unfold the greater vision for the brand. This milestone is an achievement, but true mastery takes a lifetime. We see this as just the beginning of an enduring brand—one that will outlive its founders." Founded in Melbourne, Articolo Studios—helmed by visionary Nicci Kavals—has consistently pushed the boundaries of design, evolving from her early days as a chef and stylist into the creation of innovative experiential interiors.. Her journey, rich with diverse influences, now culminates in Articolo Studios’ bold new venture into adjustable, technologically infused decorative lighting—a move that speaks to the brand’s relentless drive for excellence. For its Euroluce showcase, Articolo teamed up with long-time partner Studio Goss to create an installation that is as much an architectural monument as it is an exhibition booth. Dominated by monolithic forms, expansive proportions, and meticulously layered materials—ranging from luminous eucalypt accents to deep, rich travertine and walnut finishes—the space invites visitors on a sensory journey through a world where art, design, and performance lighting converge. As the world of Articolo comes to life this April, it reaffirms its position at the cutting edge of design innovation. With each new collection, the studio not only honors its storied past but also sets the stage for the future—one illuminated by creativity, craftsmanship, and an unwavering passion for design.

April 2025 | DESIGN & INTERIORS A SINGLE MAN HOUSE words Laura Cottrell photos Carbonelli & Seganti Drawing inspiration from Tom Ford’s A Single Man, this Rome residence bursts with creative energy and daring sophistication. Nestled on one of the city's most charming streets, the home transforms a classic artist’s atelier into a vibrant modern haven, celebrating high ceilings and captivating urban heritage—all masterfully envisioned by MarguttArchitetture founder Enzo di Claudio. Step inside and be greeted by a dramatic living area boasting nearly six-meter-high ceilings. A striking, natural-iron staircase not only bridges the two floors but also highlights an impressive full-wall bookshelf. This modular marvel, crafted around the golden ratio, pays a stylish nod to Japanese design icon Shiro Kuramata, infusing the space with an unmistakable avant-garde flair. The renovation kicked off with robust structural restoration that revealed the home’s original wooden ceilings and reopened a majestic arched window. This architectural gem frames a secret bohemian garden facing the Pincio, creating a dynamic interplay between bustling street energy and serene natural beauty. Upstairs, the private area dazzles with a crystal-clear bathroom, complete with a luxurious Turkish bath, serving as a chic backdrop for an expansive, transparent wardrobe. A visual thread connects this sophisticated space to a lower-floor retreat known as “Campanile.” With its dramatic proportions—a compact footprint soaring to a 6-meter height—this intimate room is designed for moments of deep reflection, melodic tunes, and immersive reading. Innovative lighting solutions add the final touch of modernity. Strategically placed spotlights, fixed to robust steel beams, work in harmony with the stunning Candela di Vals suspension lamps by Viabizzuno, casting a captivating glow that transforms every corner of the home. A Single Man House is not just a residence—it’s an exhilarating experience of art, design, and passion, boldly redefining what home can be in the heart of Rome.

April 2025 | Art & Culture a DYNAMIC REAWAKENING of FRENCH AVANT-GARDE words Alp Tekin photos Antoine Lippens From 14 March to 2 November 2025, the Fondation CAB in Saint-Paul-de-Vence is the stage for an electrifying exhibition that revives the spirit of the Supports/Surfaces movement alongside cutting-edge contemporary art. Curated by Hugo Vitrani—the visionary behind the Palais de Tokyo—this show spotlights a seminal chapter in French art history, breathing new life into works that shattered traditional boundaries. Supports/Surfaces, one of the founding forces of French contemporary art, transformed the landscape of both painting and sculpture. Between 1970 and 1971, a vibrant group of artists—predominantly hailing from the south of France—joined forces to stage four groundbreaking collective exhibitions. Icons such as André-Pierre Arnal, Vincent Bioulès, Louis Cane, Marc Devade, Daniel Dezeuze, Noël Dolla, Toni Grand, Bernard Pagès, Jean-Pierre Pincemin, Patrick Saytour, André Valensi, and Claude Viallat challenged conventions by declaring themselves painters, even as their work unsettled audiences accustomed to the familiar rigidity of stretched canvases. In Partenaires Particuliers, the exhibition acts as a fertile field—seeding the past with a dozen historic pieces that encapsulate the raw, unfiltered energy of this avant-garde movement. These works, ranging from brushless paintings to canvases folded, burnt, or reassembled, serve as a manifesto for La peinture en question, the initial declaration of a group that continually evolved, critiqued, and ultimately transcended its own boundaries. In 1969, Louis Cane, Daniel Dezeuze, Patrick Saytour, and Claude Viallat boldly asserted: “The object of painting is painting itself, and the paintings exhibited relate only to themselves. They do not appeal to an ‘elsewhere’... They offer no escape, because the surface, through the ruptures of form that are operated upon it, prohibits the viewer’s mental projections or dreamlike ramblings.” Adding to this rich historical tapestry, the exhibition also features an eclectic mix of works by both past and present artists from London, Mexico City, New York, Los Angeles, Toronto, Martinique, and Paris. With contributions from names like Ernest Breleur, Pierre Buraglio, Edith Dekyndt, Ladji Diaby, Miho Dohi, Torkwase Dyson, Fred Everlsey, Melinda Fourn, Kapwani Kiwanga, Renée Levi, Myriam Mihindou, Brandon Ndife, Jack O’Brien, Robert Overby, Bernard Pages, Jean-Pierre Pincement, and Hall Haus, Partenaires Particuliers promises a vibrant dialogue between eras and geographies.

ARTICOLO a DECADE of DESIGN MASTERY A SINGLE MAN HOUSE DAZZLING DINING: THEATRICAL DECOR & OPULENT DESIGN ELEGANT COUNTRYSIDE SANCTUARY MEET THE FOUNDERS of ALCOVA VALENTINA CIUFFI & JOSEPH GRIMA a SEASIDE HOME in BRITISH COLUMBIA FLØIRESTAURANTEN REBORN: Old Soul, New Vibe ORIGIN MADE CRAFTING TOMORROW from YESTERDAY REDEFINING MODERN LIVING on the EAST COAST BROOKLYN SANCTUARY: a MODERN ECLECTIC HAVEN SALONE 2025 BUILDINGS WORLDS FIT for the FUTURE REVIVING HISTORY in WEST VANCOUVER GENERATIONAL FUSION a MODERN TUSCAN HAVEN in ONTARIO the CANOPY CASA FOSCOLO a HISTORIC BUILDING REBORN ONCE a MIELE, ALWAYS a MIELE NATALJA KENT’s CHROMATIC VISION JOANA & JOSHUA’s ECO-CONSCIOUS VISION BLENDING CULTURES and LANDSCAPES Show More

February 2025 | DESIGN & INTERIORS TR BELOW ONCE a MIELE, ALWAYS a MIELE -content partnership- The world-renowned German brand Miele celebrates its 125-year legacy with its new campaign slogan: “Once a Miele, Always a Miele.” This slogan highlights the brand’s timeless design philosophy and durable product quality, while also emphasizing that Miele is not just an electric home appliance manufacturer but a true lifestyle brand. Since its inception, Miele has been guided by its “Immer Besser” (Always Better) philosophy, which has remained a constant beacon in its journey toward innovation and sustainability. Over the years, Miele has pursued perfection in both user experience and product design. With its new slogan, the brand not only strengthens the loyalty of its existing customers but also positions itself as an attractive choice for those seeking a new experience. This campaign redefines the concept of luxury by emphasizing Miele’s long-lasting, high-performance products and the unique bond users form with them. The energy-efficient, sustainable, and elegantly designed devices in Miele’s product range do more than just simplify daily life—they also take a step toward making the world a better place. MIELE & YUZU PRESENTS: CHEF’S TABLE Held in December 2024 at the Miele Experience Center in Zorlu Shopping Mall and hosted by Yuzu Magazine, “Chef’s Table” marked the first event where Miele introduced its new campaign slogan. Blending Miele’s timeless design and innovation with a gastronomic experience, the event brought together prominent figures from the design and architecture world, including Efe Urgunlu (Co-Founder of No:3 Design), Derya Toros (Founder of Toros&Partners), Esra Kestirengöz (Founder of EIK Design Studio), Esin Sözer Kalender (Co-Founder of Arketipo Design), Gökşen Buğra (Founder of Galeri Bosfor), Architect İdil Öztürk, Erdem İşler (Co-Founder of Cisim Design), Architect Gökhan Avcıoğlu, Architect Erhan Sağır, Sinan Bora Özışık (Co-Founder of Geo Studio), and Mahmut Kefeli and Kerem Erçin (Co-Founders of escapefromsofa). BİR DEFA MIELE, DAIMA MIELE -content partnership- Dünyanın önde gelen Alman markası Miele, 125 yıllık köklü mirasını yeni kampanya sloganı “Bir Defa Miele, Daima Miele” ile taçlandırıyor. Bu ikonik söylem, markanın yalnızca üstün mühendislik ve zamansız tasarım anlayışını değil, aynı zamanda ürünlerinin dayanıklılığı ve eşsiz kalitesiyle yarattığı güveni de vurguluyor.“Bir Defa Miele, Daima Miele” anlayışı, Miele’nin kalite, güven ve tasarımda sürekliliğe olan bağlılığını temsil ediyor. Miele’nin kuruluşundan bu yana benimsediği “Immer Besser” (Daima Daha İyi) felsefesi, markanın inovasyon ve sürdürülebilirlik yolculuğundaki değişmez rehberi oldu. Yıllar boyunca hem kullanıcı deneyimi hem de ürün tasarımında kusursuzluk peşinde koşan Miele, yeni söylemiyle sadece mevcut kullanıcılarının sadakatini pekiştirmekle kalmıyor, aynı zamanda markayı yeni bir deneyim arayışında olanlar için de çekici hale getiriyor. Bu kampanya Miele’nin uzun ömürlü, üstün performanslı ürünlerini ve kullanıcılarının bu ürünlerle kurduğu benzersiz bağı vurgulayarak lüksün tanımını yeniden şekillendiriyor. Miele’nin ürün gamında yer alan; enerji verimli, sürdürülebilir ve şık tasarımlı cihazlar sadece günlük yaşamı kolaylaştırmakla kalmıyor, aynı zamanda dünyayı daha iyi bir yer haline getirmek için bir adım sunuyor. MIELE & YUZU PRESENTS: CHEF’S TABLE Aralık 2024’te Miele Experience Center Zorlu AVM’de Yuzu Magazine ev sahipliğinde gerçekleştirilen “Chef’s Table” ise markanın yeni kampanya söylemini ilk kez tanıttığı özel etkinlik oldu. Miele’nin zamansız tasarım ve inovasyon anlayışını gastronomik bir deneyimle sunan etkinliğe No:3 Design Kurucu Ortağı Efe Urgunlu, Toros&Partners Kurucusu Derya Toros, EIK Design Studio Kurucusu Esra Kestirengöz, Arketipo Design kurucu ortağı Esin Sözer Kalender, Galeri Bosfor Kurucusu Gökşen Buğra, Mimar İdil Öztürk, Cisim Design Kurucu Ortağı Erdem İşler, Mimar Gökhan Avcıoğlu, Mimar Erhan Sağır, Geo Studio Kurucu Ortağı Sinan Bora Özışık ve escapefromsofa kurucu ortakları Mahmut Kefeli ile Kerem Erçin gibi tasarım ve mimarlık dünyasının isimleri katıldı.

Seyahat + Stil + İnsan + Art + Botanik a DYNAMIC REAWAKENING of FRENCH AVANT-GARDE HIDDEN LIGHTS CERAMIC BRUSSELS 2025: Shaping Creativity MODERN-DAY MYTHOLOGICAL HEROES RALPH PUCCI’s MIAMI MOMENT: a SHOWCASE of BOLD DESIGN TIME to GET to KNOW ART ANTWERP NEFELI PAPADIMOULI the SKIN CONNECTS US to the OUTSIDE WORLD BOSCO SODI Unique, unrepeatable explorations DON’T MISS THESE 5 WORKS at MERIDIANS a SERENE PAUSE at ALCOVA MIAMI - SOMETHING LAST - EXHIBITION SPREADING THROUGH the VINEYARDS TIME to GET to KNOW LISBON ART WEEKEND 5 MUST-SEE EXHIBITIONS in ISTANBUL NEW DESIGN LANGUAGES FROM FOUR DESIGNERS ART BASEL PARIS Highlights FOR the 2nd time ALCOVA in MIAMI HANS OP DE BEECK “Life is never one-dimensional” BEN BROWN ‘I would like to buy a bigger Agnes Martin’ LUKE EDWARD HALL's PATMOS dreams 10 AMAZING THINGS about NOMAD Capri Daha Fazla

February 2025 | Art & Culture HIDDEN LIGHTS words Laura Cottrell Italian visual artist Geppy Pisanelli has returned to GR Gallery in New York with Hidden Lights, a solo exhibition exploring the dynamic interplay between nature and artificiality, on view until March 15th.. Rooted in both narrative and compositional intent, the artist's latest works juxtapose natural elements—such as waterbeds, trees, mountains, and waterfalls—with artificial structures, including minimalist shelters and artificial lighting. By placing human-made objects in unexpected natural settings, Pisanelli creates a visual tension that challenges perceptions of reality. This contrast, both poetic and unsettling, invites viewers to reconsider the boundaries between organic and constructed worlds. The exhibition’s title, Hidden Lights, immediately suggests a paradox: light, traditionally linked to illumination and clarity, is described as hidden. This conceptual contradiction mirrors the layered interplay of visibility and obscurity in Pisanelli’s compositions. Through a precise balance of form, subject, and content, the artist crafts enigmatic scenes that feel at once familiar and dreamlike, triggering a sense of intellectual and visual alienation. THRESHOLD IMAGES and THE SEARCH for CONNECTION Born in 1971, Geppy Pisanelli is an Italian visual artist whose practice revolves around painting as a medium of communication. His work is deeply engaged with the creation of archetypal images—compositions that initially appear as realistic depictions but gradually reveal metaphorical and psychological layers. "At the core of my work is the idea of 'threshold images'—scenes that invite the viewer to step inside, much like entering a theatrical stage. Through recurring motifs that I call 'minimum survival units'—bridges, tents, poles, ropes, sea rafts, and human figures—I strive to transcend cultural boundaries, presenting timeless and universal forms." Pisanelli’s work echoes the notion that human existence is deeply interconnected. Referencing Thomas Merton’s reflection that “no man is an island”, his paintings suggest that our shared pursuit of connection and understanding may be essential for survival. This theme becomes particularly poignant in his latest series, where the imagery resonates with the opening lines of D.H. Lawrence’s Lady Chatterley’s Lover (1928), written in the aftermath of war: "Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes." With Hidden Lights, Pisanelli continues this reflection, offering glimpses of resilience and renewal in an era of uncertainty. His paintings do not merely depict landscapes but rather construct psychological spaces—thresholds between the seen and the hidden, the real and the imagined.

April 2025 | DESIGN & INTERIORS DAZZLING DINING: THEATRICAL DECOR & OPULENT DESIGN words Karine Monie photos Fadhi Muhammed interior design Qreative Design In the heart of Adliya, Bahrain’s vibrant district known for its eclectic mix of fine dining and cultural hotspots, Obica—a new restaurant and lounge—is set to redefine luxury. With a bespoke design that fuses the grandeur of palaces and theaters with modern sophistication, this stunning venue is a true celebration of opulence and innovative artistry. At the core of the design lies a rich tapestry of materials and bold color choices. Sparkling hexagonal mirrors catch the eye, while a show-stopping chandelier—crafted from 78,000 mother-of-pearl shells—serves as the ultimate centerpiece, evoking Bahrain’s illustrious pearling heritage. Deep burgundy and emerald green hues imbue the space with depth and a visceral connection to nature, balanced perfectly by cream pearl white accents that lend lightness and harmony. Qreative Design, led by architect and interior designer Mohamed Alqari, has transformed the venue into a dynamic narrative of cultural heritage and modern luxury. The design elegantly incorporates architectural elements from Bahrain’s storied past with a contemporary twist: existing columns are reimagined as grand pillars in the bar, while hidden AC grills, seamlessly integrated into ceilings and pillars, tackle the desert heat with discreet efficiency. Meticulous craftsmanship is evident in every detail—from the bespoke marble flooring, composed of 415 precisely cut pieces completed in just seven months, to the luxurious textures and patterned accents that define the interiors. INSPIRED BY LONDON’S MEMBERS’ CLUBS Drawing inspiration from the majestic splendor of palaces, the dramatic flair of theaters, exclusive private members’ clubs in London, and the refined elegance of Parisian design, Mohamed Alqari has created a space that is as much a feast for the eyes as it is a celebration of experiential dining. Scenic wallpapers by Ananbo and a vintage 19th-century mirror imported from England add layers of historical depth and charm, while whimsical corridors featuring Cole & Son wallpaper lead guests through an immersive journey that culminates in a grand powder room lobby designed to evoke intrigue and delight.

March 2025 | DESIGN & INTERIORS a SEASIDE HOME in BRITISH COLUMBIA words Karine Monie photos Mary McNeill Knowles Creative interior design Studio HA/WA stylist Monika Tischer On the Eastern coast of British Columbia’s Vancouver Island, a newly completed bungalow is redefining West Coast living with a burst of natural light, smart design, and local craftsmanship. Nestled along the tranquil shores of the Strait of Georgia in Qualicum Beach—renowned for its endless white sands and serene waters—this home delivers unbeatable views and a vibrant connection to its surroundings. DESIGN THAT CELEBRATES NATURE AND CRAFTMANSHIP Infused with West Coast Contemporary style and a modern twist, this two-bedroom, two-bath bungalow is all about bringing the outdoors in. Expansive windows showcase breathtaking treetops, soft ocean hues, and a calming sky, while a palette of neutral tones, warm wood finishes, and cool blue accents echoes the nearby ocean. Every detail is meticulously curated—locally sourced stone slabs from Vancouver Island Marble make a striking impact in the main bath, kitchen, and fireplace, and these textures resonate through the furniture, rugs, and even the principal bedroom walls. Local talent shines with original artwork by Victoria-based Joy Kinna, and bespoke lighting from B.C.-based AND Light adds a contemporary flourish. A STUDIO WITH VISION The creative force behind this project is STUDIO HA/WA, led by founder and creative director Erin Hannon-Watkinson, whose experience at Yabu Pushelberg informs a design approach that’s as eco-conscious as it is stylish. “Our projects are designed with their surroundings in mind to ensure longevity and lessen our impact on the environment,” Erin explains. A SEAMLESS BLEND OF FORM AND FUNCTION Inspired by West Coast Contemporary cues like vaulted roof lines and clean overhangs, the design is a masterclass in marrying form and function. Each space flows naturally into the next, unified by a consistent design language that celebrates nature. Here, large windows and doors aren’t just features—they’re dynamic frames showcasing nature’s ever-changing artwork, from lush treetops to sweeping ocean vistas. LOCALLY ROOTED, GLOBALLY INSPIRED Drawing from the calming essence of its natural surroundings, the interior blends neutral tones with subtle blue/grey undertones and warm wood accents. A strong local focus is evident, with community-sourced materials like stone, wood, and lighting fixtures enriching every corner. The natural grain of the stone—highlighted in the travertine-clad ensuite, linear fireplace stone, and pebbled-look floor tiles—brings a unique, tactile quality that grounds the entire home in its coastal character.

March 2025 | DESIGN & INTERIORS MEET the FOUNDERS of ALCOVA VALENTINA CIUFFI & JOSEPH GRIMA words Onur Baştürk portrait photo Piergiorgio Sorgetti Alcova, launched by Valentina Ciuffi and Joseph Grima during Milan Design Week in 2018, will return this year for its ninth edition from April 7–13, 2025. In addition to Villa Borsani and Villa Bagatti Valsecchi in Varedo, Alcova introduces two new venues this year: the former SNIA Factory and the Pasino Glasshouses. In our EXCLUSIVE INTERVIEW with Valentina and Joseph, we discussed Alcova’s DNA, its criteria, and the platform’s future vision. ALCOVA HAS MULTIPLE LAYERS IN ITS DNA In your previous interviews, you mentioned that Alcova is conceptually nomadic—indeed, its venues used to change every year. However, this year—as with last year—Villa Borsani and Villa Bagatti Valsecchi are once again serving as Alcova exhibition spaces. Yes, in addition to Borsani and Valsecchi, there are two new venues, yet it still appears that Alcova is shifting towards a more fixed setup. What are your thoughts on this? We believe the premise of this question is incorrect. Alcova is a nomadic platform but does not change location every year. Since the beginning—starting with the former panettone factory—we have moved every two years. We spent two years there (2018-19), then two years at the former military hospital, and only in the case of the former slaughterhouse did we stay for just one year due to the start of a construction project. For Villa Bagatti and Villa Borsani, we are staying for two years, as per Alcova’s usual practice. Additionally, as you correctly noted, we are introducing two new locations: the Pasino Glasshouses where orchids were originally cultivated, and the large modernist factory of Snia. These locations are very close to those you visited last year, Villa Bagatti and Villa Borsani. But nothing has changed in Alcova’s format—our standard approach has always been to change locations every two years, not every year. What is in Alcova’s DNA? What motivates you? Alcova has multiple layers in its DNA. One of them is certainly being an independent fair that takes place in unconventional spaces—sites never before open to the city—which we interweave with contemporary design narratives. This approach allows objects, exhibitions, and installations to engage in a meaningful dialogue with architecture, creating a unique and compelling context. We have followed this path since the very beginning. But perhaps the most crucial aspect of Alcova’s DNA is its role as a platform for showcasing design research. While we have grown significantly in recent years, we have never stopped highlighting independent designers and experimental practices, alongside startups, galleries, museums, schools, and various institutions that come to present their work. WE BELIEVE ALCOVA HAS GROWN ORGANICALLY Since its debut in 2018, how do you think Alcova has evolved? Have there been any changes along the way? We believe Alcova has grown organically. As we mentioned, the core formula has not changed—we remain focused on showcasing design research and independent designers. This year, we are working across a vast area, spanning four locations, but that doesn’t necessarily mean Alcova will always operate on this scale. Next year, for instance, it could take place in a more compact space. In Miami, where we debuted in 2023, we work with more limited spaces. What matters to us is the quality and profile of the exhibitors, along with the strength of the architecture and the location. This kind of evolution is natural for a project that has gained a solid reputation over the years, becoming more widely recognized and, as a result, increasingly capable of attracting interest. From exhibiting the work of 20 designers in 2018, you now have many more participants and a similarly larger audience. Does this growth intimidate you? No, as we mentioned in response to the previous question, we are not intimidated by something that is entirely natural, normal, and healthy. A project that began more than seven years ago has to grow—otherwise, it would stagnate. The key is to continue evolving in a way that makes sense, gaining greater visibility and reaching a broader audience. What matters most, and what we are focusing on, is enhancing the experience for those who visit Alcova. This is not always easy during Salone del Mobile, given the sheer number of visitors and the fact that some of our spaces are quite small. WE SEEK INNOVATION IN MATERIALS, DESIGN, AND PRODUCTION How did you discover the two new venues added this year—the former SNIA Factory and The Pasino Glasshouses? As far as I know, both of you often enjoy wandering around Milan and uncovering the city's abandoned, forgotten spots, right? As you said, it is part of our practice to investigate the urban fabric of Milan and its surroundings in search of architecturally significant sites—places with an iconic value that are ready to be reactivated but would otherwise be difficult for the public to access. We approached Varedo in the same way. Even though one of the sites, Villa Borsani, is perfectly preserved and visitable by appointment, our approach remains consistent. As for the Pasino’s Glasshouses and the former Snia factory, the decision was quite straightforward since they are located on the same road as Villa Bagatti and Villa Borsani. Naturally, after activating these two locations last year, we walked this route many times, and these two architectural gems did not escape our notice. In fact, we had already discovered them last year, but due to timing constraints, we weren’t able to open them to the public. This year, however, these two major additions will make the trip to Varedo even more worthwhile. Although the exhibition spaces at Alcova are rented, the criteria for selecting designers is always discussed. What criteria do you use to evaluate the proposals you receive from designers? Yes, although Alcova’s spaces are rented, there are clear selection criteria that guide us in choosing from the large number of applications we receive. Innovation, experimentation, and research are at the core of our interests. We look for innovation in materials, in design language, and in production methods—these are all key themes for us. Design that explores social issues is equally important in shaping the ideal mix for an exhibition like ours. Another crucial factor in our selection process is the ability of exhibitors to engage with the spaces they are assigned. When applicants express a preference for a specific location, we always request a project proposal that demonstrates an understanding of the site and an ability to create an experience for visitors. We strongly believe that objects can communicate more effectively when they are presented in a compelling, well-executed display that interacts meaningfully with the surrounding architecture. ALCOVA WILL ALWAYS STAY TRUE TO ITS ESSENCE How do you envision Alcova’s future? Do you have any plans, or is the evolution of this platform unfolding naturally? We hope that Alcova will always stay true to its essence. We also hope this journey will take us to new places around the world. As you know, we took our first step in this direction with Miami, and there may be more locations in the future. That said, Milan and Salone del Mobile’s week remain not only our place of origin but also our most significant appointment. We look forward to returning and continuously raising the bar at this pivotal event for the international design scene. At the same time, we will soon be exploring new exhibition formats within Milan’s design landscape.

April 2025 | DESIGN & INTERIORS ELEGANT COUNTRYSIDE SANCTUARY words Elena Grabar photos Mikhail Loskutov architect & interior design Ariana Ahmad stylist Natalia Onufreichuk Set in the tranquil countryside of the Moscow region, this residence is more than a retreat—it is a family’s story, told through architecture and design. Created by architect and interior designer Ariana Ahmad, the house balances sophistication with warmth, offering spaces that flow effortlessly between quiet solitude and lively gatherings. Here, design is not just about aesthetics but about crafting an environment that evolves with its inhabitants. A THOUGHTFUL COLLABORATION This project is the result of a long-term partnership between the owners and their trusted design team. Their shared vision has shaped a home where architectural elegance meets everyday comfort. The residence also serves as a showcase for the family’s expanding contemporary art collection, seamlessly integrating art into daily life. A HOME DESIGNED TO EVOLVE This generously proportioned 2,100 m² residence features a layout that adapts to the shifting rhythms of family life. The entrance opens into interconnected spaces where natural light highlights carefully curated materials. The main living areas unfold in a seamless flow, while a private suite ensures comfort for the homeowner’s mother. A dedicated spa area with a pool, hammam, and massage room adds an element of resort-like relaxation. Upstairs, the private quarters provide a peaceful retreat, while the attic serves as a space for creativity and leisure. Below ground, a wine cellar and thoughtfully designed storage solutions ensure effortless organization. UNDERSTATED LUXURY IN EVERY DETAIL Soft, earthy tones create a home that feels both elegant and inviting. Bespoke hand-painted wallpapers add depth and texture, while custom plaster panels by Tollis Studio in Paris introduce an artistic focal point in the spa, elevator, and master bedroom. Rich oak paneling and a built-in library enhance the sense of craftsmanship and warmth. A CURATED SELECTION OF DESIGN ICONS Throughout the home, carefully selected furnishings elevate the atmosphere. A custom Christophe Delcourt table makes a statement at the entrance, complemented by a gold-accented Lasvit chandelier. In the master dressing room, a striking white onyx bench by Charles Kalpakian blends function with artistry. The children’s rooms feature refined pieces by Pierre Yovanovitch, while the playroom is enriched with whimsical designs by Hubert Le Gall. In the living room, Zhu Hong’s "Drops" installation interacts with shifting light, adding an element of movement beneath a striking Agostino Bonalumi artwork. A HOME THAT BREATHES ART Art is deeply woven into this residence, with works by Agostino Bonalumi, Yuri Kuper, Igor Chelkovski, Simone Pheulpin, Zhu Hong, Wang Keping, Masao Yamamoto, and Daniela Busarello creating a dialogue between past and present, form and emotion. Here, architecture and design do not merely frame life—they enrich it.

Temmuz 2020 | Seyahat | Türkiye Alaçatı Top 10 Yazı | Onur Baştürk D oğruya doğru, o eski Alaçatı yok. Bazen çok sert esen o rüzgarı gibi, kendini rüzgarın yönüne bırakmış savruluyor Alaçatı. Buna rağmen hâlâ tarzını, tavrını, özgünlüğünü koruyan mekanları, otelleri var. İşte Alaçatı ve civarının Top 10’u… 1. Before Sunset Bu yaz virüs nedeniyle değişiklik yaptılar. Akşamüstü Elefante adını verdikleri yeni restoranlarında gerçekten usta işi yemekler servis ediyorlar. Yemekler günbatımında başlıyor, geç saatlere kadar sürüyor. 2. Balıkçı Niyazi Isolee Plage içindeki Balıkçı Niyazi’nin karidesi, patlıcanı, kalamarı ve atomu ne zaman gitseniz aynı tatta oluyor. Hem salaş hem deniz kıyısında hem de öğleden sonraları çok kalabalık olmuyor. 3. Asma Yaprağı Ovacık yolu üzerine konuşlanmış yeni yerindeki büyük bahçe en büyük artısı. Yemekleri yıllardır bildiğimiz gibi, aynı kalitede. 4. Bom Dia Çok yeni nesil, çok Los Angeles! Alaçatı’nın o meşhur klasik kahvaltısından, pişisinden sıkılanlar için en şık çözüm burası. Granolası müthiş. Acı biber reçelli tostu ve Siesta adlı Meksika usulü yumurtası da… 5. Beach of Momo Geçen yaz günbatımı partisi denilince akla gelen ilk plajdı Momo. Bu yıl partiler çoğu aklı başında plajda olduğu gibi burada da orta tempoda ilerliyor, herkes kendi köşesinde takılıyor. Momo’nun kokteylleri ve karpuzlu mantısı ise hâlâ çok iyi. 6. Biblos Resort 600’e yakın coconut ağacı, bine yakın palmiyesi, onlarca farklı bitki çeşidiyle en başta bir botanik park gibi Biblos Resort. Sırf bu yönüyle bile görülmeye değer! “Alaçatı’nın Mandarin Orieantal”i konumundaki otelde mutlaka deneyimlenmesi gerekenleri ise şöyle sıralayabiliriz: Tuzda levreği nefis Amante restoranı, masaj süiti dahi bulunan spa ve “tarladan sofraya” felsefesini benimsemiş, yüzyıllık zeytin ağaçlarının altındaki yeni restoran Olea. 7. Alavya Geceleri iyice taşkın hale köyün gürültüsünün ve kalabalığının tam ortasında şık bir vaha olmayı sürdürüyor Alavya. İlk açıldığından beri çizgisini bozmadı. Odalarının Hakan Ezer imzalı tasarımı hâlâ çok iyi ve güncel. Üstelik akşam 18.00 itibariyle Mitu’yu eski dost Agrilia’ya devrediyorlar, bu da bir başka iyi yanı otelin. 8. Kolburano’s Damla&Emre Kolburan çiftinin Reisdere köyündeki pizzacısı her şeyden öte samimi hikâyesiyle çekiyor insanı kendine. 200 yıllık eski bir marangoz atölyesi olan binada hayallerini gerçeğe dönüştüren Kolburan çiftinin, odun fırınından çıkardıkları pizzaları şarap eşliğinde gayet güzel gidiyor. 9. The Stay İzole olmak, kendi halinde takılmak, sadece belli bir çevreye ait insanları görmek, akşamları kendiliğinden gelişebilen partilere akmak… “Under The Dome” dizisinde olduğu gibi, kendini dış dünyadan yüksek korkuluklarla ayıran The Stay’in kendine has havasının özeti kısaca bu. 10. Fahri’nin Yeri Ferdi Baba mı Fahri’nin Yeri mi derseniz, benim tercihim Fahri’nin Yeri. Bir şekilde daha sempatik burası. Ayrıca kremalı şevketibostanı başta olmak üzere mezeleri harika! SEYAHAT | Kategorinin diğer yazıları İzlanda’nın Sırları Rota Karadeniz, hedef ‘doğal izolasyon’ Zamanın durduğu şehir: Harar Kyoto’da bir ‘ryokan’da kaldım Karavan tatiline dair merak ettiğiniz her şey Issızlığın ortasındaki 10 inziva oteli Açıl susam açıl: Marakeş Test sonucunu göstererek uçağa bineceğiz Asya’nın mistik kapalı kutusu: Myanmar Tsipouro içmeden o adadan dönmeyin! Issız kanyonun ortasında: Amangiri Mars'a gitmiş kadar oldum! Buenos Aires’te yapmanız gereken 20 seksi şey

April 2023 | TRAVEL TIERRA PATAGONIA words Özlem Avcıoğlu Staying at the Tierra Patagonia Hotel, whose architecture caught my attention years ago, was one of my biggest dreams. I might even have gone to Patagonia just for that reason! Tierra Patagonia is one of the most beautiful hotels not only in Chile but also in the world... Torres del Paine National Park, located in Chilean Patagonia, is the most charming place in the region with its emerald green lakes, magnificent mountain ranges and wildlife. Tierra Hotel is also here, right next to the steep mountains and Sarmiento Lake, which shimmers throughout the day. The architect of the hotel, which opened in 2012, is Cazu Zegers Arquitectura. The building takes its shape from the strong winds known for their intensity that are characteristic of the region and can even rip the hinges of car doors. Architect Cazu Zegers finds nature so fascinating that he believes there should be almost no buildings here, and he literally immerses the hotel in nature. LOOKS LIKE AN ANIMAL FOSSIL From the outside, the hotel looks like a fossil of a prehistoric animal, clad in fully washed lenga wood panelling, fixed to the floor with stone setts to achieve the silver color of water-worn wood. This form also encourages hotel guests to go outside. Tierra, which has glass all over to let the view in, also has an equally attractive spa: Uma Spa. The spa's outdoor jacuzzi is the favorite place to sip a glass of Carmenere wine in the evening. ALL 40 ROOMS HAVE A VIEW All 40 rooms in the two-story hotel have large windows that reflect vast steppes and sky of Patagonia. Minimalist furnished rooms with wooden and sheepskin rugs are decorated in Scandinavian style. “Sustainability” is, of course, one of the issues Tierra attaches importance to. Various methods have been used to reduce energy use. A pilot program is being carried out to test solar panels. Tierra also participated in planting one million trees in Patagonia.

November 2024 | Travel TURKISH BELOW REVIVING the GLAMOUR of the ATHENS RIVIERA words Onur Baştürk In its mid-century heyday, the Athens Riviera was the go-to vacation spot for stars like Brigitte Bardot, Frank Sinatra, and Jackie Onassis. These famous visitors were captivated by the crystal-clear waters, endless sunsets, and the effortless beauty of seaside life. In the ’80s and ’90s, the area saw a wave of American influence, thanks to the presence of a U.S. military base — cue punk music, skate culture, and burgers! Now, years later, the Athens Riviera is buzzing once again. Leading the movement is The Ellinikon, a 6.2-million-square-meter smart city project on the site of the old airport, set to include over 1,100 new residences and Europe’s largest coastal park. But there’s more — and it’s just as cool! Ace Hotel & Swim Club Athens, located in the heart of the Riviera in Glyfada, is one of the newest and most exciting spots. If you've stayed at an Ace before, you already know it’s not just a hotel; it’s an incredible social hub. With 120 rooms, an expansive lobby open to everyone, the all-day restaurant Sebastian, a large pool, and a combined gallery and café area, Ace Athens is ready to live up to this reputation. CIGUË TAKES INSPIRATION FROM A GREEK ARCHITECT The Ace Hotel & Swim Club Athens, designed by French architecture and interior design studio ciguë, draws inspiration from Greek modernism’s nature-integrated approach and the classic charm of ’70s coastal resorts. Ciguë found inspiration in Greek architect Aris Konstantinidis, renowned for his post-war modernist designs and his poetic Anavyssos summer house that harmonized with its surroundings. The completely redesigned interiors feature locally sourced materials like ceramic tiles, wood, and grand plaster frescoes. These Greek elements are seamlessly woven into ciguë’s interpretation of Ace, creating a space that’s both modern and deeply connected to its cultural roots. The hotel’s facade, characterized by bold angles, sharp lines, and striking balconies, merges Brutalist aesthetics with nods to the Japanese Metabolist movement. The result is a sleek, modernist perspective softened by the breezy coastal chic of the ’70s. MURALS BY MANENT AND PROFITIS The hotel’s front facade comes alive with a mural by local street artist Claire Manent, stretching up four stories. Manent’s work mirrors ciguë’s architectural precision, adding a whimsical “imaginary room” facing the sea. The piece takes inspiration from David Hockney paintings and vintage Côte d’Azur posters from the ’60s. Meanwhile, the pool-facing facade features a large-scale mural by Greek artist Panos Profitis, depicting purple seabirds mid-flight. A COOL SPOT All in all, Ace Hotel & Swim Club Athens is a must-visit hotspot of Athens’ creative renaissance, with custom-designed furniture and lighting by ciguë and iconic pieces from the ’60s and ’70s, handpicked by Back To The Future as a tribute to the original building’s era. ATİNA RİVİERA’sı YENİDEN CANLANIYOR Atina Rivierası 20. yüzyıl ortalarında en parlak dönemini yaşarken Brigitte Bardot, Frank Sinatra ve Jackie Onassis gibi ünlülerin gözde tatil yeri olarak öne çıkıyordu. Bu ünlü ziyaretçileri pırıl pırıl sular, uzun gün batımları ve sahil yaşamının sade güzelliği büyülemişti. 80'ler ve 90'larda ise bölgedeki ABD askeri üssünün varlığı nedeniyle bu kez Amerikan etkisi öne çıktı: Punk müzik, kaykay kültürü ve burger! Ve şimdi yıllar sonra Atina Rivierası yeniden hareketleniyor. Eski havalimanının bulunduğu 6,2 milyon metrekarelik araziye yapılan, 1100'den fazla yeni konut ve Avrupa'nın en büyük kıyı parkını bünyesinde barındıracak olan akıllı şehir projesi The Ellinikon bu hareketin en önemli unsuru. Ama elbette daha cool şeyler de var! Rivieranın kalbi Glyfada’da açılan Ace Hotel & Swim Club Athens onlardan biri. Eğer daha önce Ace’lerden birinde kaldıysanız, Ace’in sadece bir otel değil aynı zamanda müthiş bir sosyalleşme yeri olduğunu da bilirsiniz. 120 odalı Atinalı Ace de herkese açık geniş lobisi, zemin katta tüm gün hizmet veren Sebastian isimli restoranı, büyük havuzu ve galeri+kafe alanıyla aynen böyle bir yer olmaya aday. CIGUË, YUNAN MİMARDAN İLHAM ALMIŞ Yunan modernizminin doğayla bütünleşen yaklaşımından ve 70'lerin sahil tatil köylerinin klasik çekiciliğinden ilham alan Ace Hotel & Swim Club Athens projesinin tasarımı Fransız mimarlık ve iç tasarım stüdyosu ciguë’ye ait. ciguë, savaş sonrası modernist tasarımları ve çevresiyle poetik bir uyum yakalayan Anavyssos yazlık eviyle tanınan Yunan mimar Aris Konstantinidis’ten ilham almış. Otelin tamamen yenilenen iç alanları seramik karo, ahşap ve büyük alçı freskler gibi lokal malzemeler ve unsurlar içeriyor. Yunan kültürüne özgü bu bileşenler, ciguë'nün Ace yorumuna sorunsuz bir şekilde entegre edilerek modern bir atmosfer yaratılmış. Cesur açılar, keskin çizgiler ve dikkat çekici balkonlarıyla öne çıkan otelin Brütalist estetikle Japon Metabolist hareketine gönderme yapan cephesi temiz, modernist bir perspektif sunarken 70’lerin hafif sahil şıklığıyla yumuşatılmış. CEPHELERDE MANENT VE PROFITIS’IN ÇİZİMLERİ Otelin ön cephe ise dört kat boyunca uzanan ve sokak sanatıyla tanınan yerel sanatçı Claire Manent’in duvar resmiyle canlandırılmış. Manent’in çalışması, ciguë’nün titiz mimari tasarımının temiz çizgilerini yansıtıyor ve otelin karşısındaki deniz manzarasına bakan hayali bir ekstra odanın fantezisini sergiliyor. Eser, David Hockney resimlerinden ve 60’ların vintage Côte d’Azur posterlerinden ilham alıyor. Binanın havuza bakan cephesinde ise Yunan sanatçı Panos Profitis’in mor deniz kuşlarının uçuşunu betimleyen büyük ölçekli mural işi yer alıyor. COOL BİR SPOT Kısacası Ace Hotel & Swim Club Athens, iç içe geçmiş özel yapım tasarım mobilya ve aydınlatmaları ve otel binasının yapıldığı 60’lar ve 1970'lere saygı duruşu niteliğindeki Back To The Future tarafından seçilmiş ikonik tasarım parçalarıyla Atina'nın yaratıcı uyanışının cool bir spotu olmaya kesinlikle aday!